

I am totally discovering Cassavetes. By 1956, Cassavetes had begun teaching method acting in workshops in New York City. An improvisation exercise in one workshop inspired the idea for his writing and directorial debut, Shadows (1959; first version 1957). Shadows is claimed to be impro movie. The role of improvisation in Cassavetes' films is frequently misunderstood. His films were — with the exception of the original version of Shadows — heavily scripted. Confusion arises in part because Cassavetes allowed actors to bring their own interpretations of characters to their performances. Performances were scripted, but delivery was not. Otherwise he would be just way to cool. Saw "Shadows" no time ago and I still feel the vibe of it, left a very nice impression and I think its partly because the actors have had a point while writing the thing to modify the text, but ofcourse due to some very good camera, music and lightning work. Like in one part of the movie, one of the main caracters is on the bed and helds a trumpet which he never plays but you can hear it on the background playing as soundtrack while he is pressing the buttons of the instrument and blowing. Or there is a scene after two caracters having sex and she lost her virginity - she raises up, upset about something and when the guy comes behind her, the light is straight into his face what is kind of weird and at the same time totally mindblowing. Not to even talk about the fact that you can feel hat he had teached acting before, as one of the main caracters - the guy Benny,was a genial actor. Well, youve got to see it yourself.













